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100+ MLA Book Quote Examples: Perfect Copywriting & Citation Guide

how to quote from a book mla

Quoting from a book using MLA (Modern Language Association) format is a crucial skill for students, researchers, and writers aiming to maintain academic integrity and credibility. Proper citation not only gives credit to original authors but also strengthens arguments with authoritative support. This article explores ten distinct types of quotes—ranging from direct quotations and paraphrasing to block quotes and dialogue excerpts—and provides practical examples formatted correctly in MLA style. Each section includes real-world applications, helping users understand when and how to cite sources accurately while avoiding plagiarism.

Direct Quotations (Short Prose)

"The world was hers for the reading" (Morrison 15).

"He believed in the promise of tomorrow" (Fitzgerald 45).

"Language is the skin of my thought" (Lispector 88).

"She walked into the room like a storm" (Atwood 103).

"Time moves in one direction only" (Eco 67).

"Freedom is never given; it is taken" (King 201).

"The silence between notes matters most" (Adorno 112).

"Dreams are maps written in metaphor" (García Márquez 76).

"Truth wears different masks in every culture" (Said 94).

"To write is to risk misunderstanding" (Didion 33).

"Loneliness is the price of clarity" (Woolf 121).

"History repeats itself in whispers" (Orwell 55).

When quoting short prose passages (fewer than four lines), integrate them smoothly into your sentence and enclose them in quotation marks. Always include the author’s last name and page number in parentheses immediately after the quote. This method preserves readability while giving proper attribution. Avoid over-quoting; use direct citations only when the original phrasing carries significant weight or nuance. Punctuation goes inside the quotation marks, and the parenthetical citation follows the closing punctuation. This format ensures clarity and consistency across academic writing.

Paraphrased Quotes

According to Smith, societal structures shape individual identity through repeated cultural narratives (47).

Brown argues that technological advancement often outpaces ethical reflection (102).

Lee suggests that childhood experiences fundamentally influence adult decision-making patterns (89).

Johnson explains that leadership emerges not from authority but from trust (134).

Martinez observes that language evolves fastest in urban youth communities (66).

Nguyen emphasizes the role of memory in constructing personal truth (111).

Taylor believes emotional intelligence is more predictive of success than IQ (78).

Clark illustrates how isolation can foster both creativity and mental strain (93).

Walker describes resilience as a learned response to repeated adversity (145).

Harris shows that perception of time varies significantly across cultures (52).

Young contends that economic inequality undermines democratic participation (203).

Adams notes that innovation often arises from interdisciplinary collaboration (177).

Paraphrasing involves rephrasing a source’s idea in your own words while maintaining the original meaning. Even though you’re not using the exact wording, you must still credit the author with an in-text citation. Effective paraphrasing demonstrates understanding and allows smoother integration into your narrative. It reduces reliance on direct quotes and enhances originality. Always compare your version to the original to ensure accuracy and avoid accidental plagiarism. Paraphrased content should be cited just like direct quotes, including the author's name and page number when applicable.

Block Quotes (Long Prose)

When the passage exceeds four lines of prose, it should be set off as a block quote without quotation marks:

The river carried stories beneath its surface—names forgotten, promises dissolved, songs hummed by those who no longer remembered their lyrics. To stand by its edge was to listen to history speaking in riddles. No map could chart its true course (Rivera 88).

Memory does not function like a recording device. It selects, distorts, fills gaps, fabricates. Often, we remember not what happened, but what we believe should have happened (Schwartz 115).

In moments of crisis, people do not turn to logic first. They reach for myths, symbols, rituals—narratives that offer coherence even if they lack proof. That is where meaning is built (Campbell 67).

Education is not the filling of a pail, but the lighting of a fire. Once ignited, curiosity cannot be extinguished by bureaucracy or dogma. It spreads, consumes, transforms (Yeats 201).

The city never sleeps because someone is always dreaming it awake—workers, artists, insomniacs, lovers. Their collective breath forms the rhythm of urban life (Chen 54).

Power reveals itself not in speeches, but in silence—who gets heard, who is ignored, whose absence goes unnoticed. These omissions speak louder than declarations (Fanon 91).

Love is not a feeling reducible to hormones. It is a practice—an act of will, attention, endurance. Without action, affection fades into nostalgia (Bell 133).

Borders are drawn by force, but erased by movement—migration, trade, music, translation. Humanity flows despite fences (Said 77).

Technology promises connection, yet loneliness rises. Perhaps we confuse contact with intimacy, speed with depth, data with wisdom (Turkle 109).

Justice delayed is justice denied, but rushed justice is often injustice disguised (Thompson 155).

Art survives war, censorship, neglect—not because it is strong, but because humans need beauty as much as bread (Kundera 188).

Block quotes are used for prose excerpts longer than four lines. They are indented one inch (or 0.5 inches in some styles) from the left margin, double-spaced, and presented without quotation marks. The citation appears after the period at the end of the quote. Block quotes should be used sparingly and only when the passage is especially powerful or central to your argument. Introduce the quote with a colon, and maintain original spelling and punctuation. This format enhances readability and visually distinguishes extended citations from surrounding text.

Dialogue from Novels

“I can’t breathe,” she whispered. “It’s all too much” (Hawthorne 112).

“You knew this would happen,” he said. “And you did nothing” (Miller 67).

“Where do we go now?” asked the child. “There’s no home left” (Lee 145).

“Love isn’t something you find,” she replied. “It’s something you build” (Coelho 89).

“They’ll forget us,” he said. “But the stars won’t” (Lowry 203).

“Is this real?” she asked. “Or have I dreamed it all?” (Nabokov 76).

“Courage is fear that has said its prayers,” he murmured (O’Connor 134).

“We were never meant to survive,” she said. “But here we are” (Lorde 101).

“What good is freedom,” he asked, “if you’re too afraid to use it?” (Wright 122).

“Tell me a story,” the boy said. “One where we win” (Pullman 167).

“I didn’t come here to be safe,” she said. “I came to be free” (Collins 95).

“Do you believe in fate?” he asked. “Or do we make our own?” (Murakami 111).

When quoting dialogue from novels, preserve the original punctuation and speaker tags as they appear. Use quotation marks for each spoken line and include character names only if necessary for clarity. Cite the author and page number after the quote. If multiple lines of dialogue occur between the same speakers, integrate them into a single citation. Accurate representation of tone and pacing is essential, so avoid altering words or syntax. Dialogue quotes are powerful tools for illustrating themes, character development, and emotional intensity in literary analysis.

Poetry Quotes (Single Line or Two Lines)

“I, too, sing America” (Hughes 1).

“Do not go gentle into that good night” (Thomas 1).

“Because I could not stop for Death” (Dickinson 1).

“Let us go then, you and I” (Eliot 1).

“I celebrate myself, and sing myself” (Whitman 1).

“We wear the mask that grins and lies” (Dunbar 1).

“My love is like a red, red rose” (Burns 1).

“Hope is the thing with feathers” (Dickinson 1).

“Nothing gold can stay” (Frost 1).

“I wandered lonely as a cloud” (Wordsworth 1).

“The road not taken” (Frost 1).

“I am large, I contain multitudes” (Whitman 1).

When quoting one or two lines of poetry, incorporate them into your sentence using quotation marks and a forward slash (/) to indicate line breaks if needed. Always cite the author and line number(s) in parentheses. Poetry often relies on precise diction and rhythm, so accuracy is critical. Maintain original capitalization and punctuation. Use these quotes to highlight symbolic language, thematic motifs, or stylistic techniques. Brief poetic lines can serve as impactful openings or conclusions to paragraphs, adding lyrical depth to analytical writing.

Poetry Quotes (Three or More Lines)

I hear America singing, the varied carols I hear,
Those of mechanics, each one singing his as it should be blithe and strong,
The carpenter singing his as he measures his plank or beam (Whitman 1–3).

She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright (Byron 1–3).

Because you are light,
I learn to measure darkness.
Because you leave, I learn to stay (Oliver 5–7).

What happens to a dream deferred?
Does it dry up
like a raisin in the sun? (Hughes 1–3).

I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room (Eliot 51–53).

Wild nights – Wild nights!
Were I with thee
Wild nights should be our luxury! (Dickinson 1–3).

Light leaks from me
Like water from a cracked jar.
Still, I pour (Rilke 10–12).

The fog comes
on little cat feet.
It sits looking over harbor and city (Sandburg 1–3).

I rise
I rise
I rise (Angelou 9, 16, 23).

All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances (Shakespeare 1–3).

Fire and ice,
Desire and hate,
One will suffice (Frost 1–3).

I saw the best minds of my generation destroyed by madness,
starving hysterical naked,
dragging themselves through the negro streets at dawn (Ginsberg 1–3).

When quoting three or more lines of poetry, format as a block quote: indent one inch, preserve original line breaks and spacing, and omit quotation marks. Maintain the poem’s visual structure to honor its form and rhythm. Introduce the quote with a colon, and place the citation after the final punctuation. Line numbers are preferred over page numbers when available. Multi-line poetry quotes allow deeper exploration of imagery, meter, and emotional resonance in literary criticism, making them ideal for close reading and thematic analysis.

Quotes with Omissions (Using Ellipses)

"The woods are lovely, dark and deep, ... but I have promises to keep" (Frost 13–14).

"All happy families are alike... every unhappy family is unhappy in its own way" (Tolstoy 1).

"It was the best of times... it was the worst of times" (Dickens 1).

"Call me Ishmael... whenever I find myself growing grim about the mouth" (Melville 1).

"Two roads diverged in a yellow wood... and that has made all the difference" (Frost 1, 20).

"In the beginning... God created the heavens and the earth" (Genesis 1:1).

"We hold these truths... that all men are created equal" (Jefferson 1).

"I have a dream... that my four little children will live in a nation where they will not be judged by the color of their skin" (King 1).

"To be or not to be... that is the question" (Shakespeare 3.1.58–60).

"The universe is vast... and we are small" (Sagan 12).

"She loved him... and that was enough" (Hemingway 88).

"Knowledge is power... and ignorance is vulnerability" (Bacon 23).

Ellipses (...) are used to indicate omitted words within a quote, allowing you to condense lengthy passages while preserving meaning. Ensure omissions don’t distort the original intent. Use brackets around ellipses if needed for clarity [e.g., “...”]. Place spaces before, after, and between the dots. MLA permits ellipses in both prose and poetry quotes. Use this technique judiciously—only remove non-essential words. Always verify that the shortened quote remains grammatically correct and contextually accurate.

Quotes with Additions (Using Brackets)

"She [Marie] understood the cost of silence" (Césaire 45).

"The [U.S.] government failed to act" (Chomsky 102).

"He [the protagonist] chose exile over complicity" (Ngũgĩ 78).

"They [the scientists] challenged the status quo" (Curie 133).

"The [economic] model collapsed under pressure" (Keynes 91).

"It [the painting] redefined modern expression" (Kandinsky 67).

"We [humans] are the stewards of this planet" (Carson 144).

"This [policy] disproportionately affects the poor" (Piketty 205).

"The [digital] age demands new literacies" (Jenkins 112).

"Her [the narrator’s] voice emerged slowly" (Kincaid 89).

"These [ideas] changed the course of history" (Foucault 177).

"The [colonial] system dehumanized both oppressor and oppressed" (Fanon 54).

Brackets are used to insert clarifying information into a quote, such as names, explanations, or pronouns. This helps readers understand context without altering the original meaning. Only add essential details—never change the quote’s substance. Brackets distinguish editorial additions from the author’s words. This method is especially useful when quoting complex texts or when antecedents are unclear. Used responsibly, brackets enhance clarity and precision in academic writing while adhering to MLA standards.

Indirect Quotes (Citing a Source Within a Source)

Smith states that "truth is contingent upon perspective" (qtd. in Johnson 88).

As Lee argues, language shapes reality (qtd. in Kim 101).

Brown claims that dreams reveal unconscious desires (qtd. in Freud 45).

According to García, borders are psychological as much as physical (qtd. in Muñoz 77).

Wilson reports that empathy increases with reading fiction (qtd. in Nussbaum 133).

Davis notes that resistance begins in silence (qtd. in hooks 92).

Taylor observed that children learn through play (qtd. in Piaget 61).

Adams suggested that art precedes politics (qtd. in Benjamin 114).

Miller claimed that tragedy reveals moral complexity (qtd. in Aristotle 34).

Nguyen stated that memory is inherently selective (qtd. in Halbwachs 88).

Clark explained that perception is culturally conditioned (qtd. in Geertz 105).

Young argued that justice requires redistribution (qtd. in Fraser 201).

When citing a quote found in a secondary source (an author quoted in another author’s work), use "qtd. in" followed by the secondary source’s author and page number. This acknowledges that you did not consult the original text directly. While acceptable in certain cases, relying on indirect quotes should be minimized; always attempt to access primary sources when possible. This method maintains transparency and prevents misattribution. Include only the secondary source in your Works Cited list, not the original.

Quotes from Edited Books or Anthologies

"Stories are the compass by which we navigate life" (Gordimer 23).

"Identity is not fixed but fluid" (Hall 56).

"The gaze defines who belongs" (Mulvey 89).

"Modernity fractures memory" (Benjamin 112).

"Silence speaks volumes in patriarchal societies" (Spivak 77).

"Narrative constructs reality" (White 45).

"Difference should not mean deficit" (Anzaldúa 103).

"Power circulates through discourse" (Foucault 67).

"Belonging is earned through struggle" (Fanon 91).

"The personal is political" (Firestone 133).

"Technology reshapes consciousness" (McLuhan 88).

"Art challenges dominant ideologies" (Jameson 114).

When quoting from an essay or chapter in an edited anthology, cite the author of the specific piece, not the editor of the book. Include the page number from the anthology. In your Works Cited, list the chapter author first, followed by the title of the essay, the book title, editor, publisher, year, and page range. This ensures proper credit and traceability. Edited collections are common in scholarly research, so mastering this format is essential for accurate academic writing in MLA style.

Schlussworte

Mastering MLA citation for book quotes is foundational for credible, ethical, and professional writing. Whether using direct quotations, paraphrasing, or citing complex sources like poetry or anthologies, adherence to MLA guidelines ensures clarity and respect for intellectual property. Each quote type serves a unique rhetorical purpose—from emphasizing key ideas to supporting arguments with evidence. By understanding how to properly format short and long quotes, handle omissions and additions, and cite secondary or edited sources, writers enhance both the rigor and readability of their work. Consistent application of these rules reflects academic maturity and attention to detail.

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