100+ MLA Format Examples for Perfect Quoting in Essays

According to Smith, "The rise of digital communication has transformed how we interpret language" (45).

“Language is not just a tool for communication but a framework for thought,” argues Lee (23).

As Johnson writes, “Social media reshapes identity one post at a time” (78).

“We must question the narratives we consume daily,” states Patel (102).

“Digital literacy is now as essential as reading and writing,” claims Davis (33).

“Algorithms influence what we believe to be true,” notes Thompson (67).

“Truth becomes fragmented in the age of viral content,” observes Kim (89).

“Every like is a micro-endorsement of ideology,” explains Rivera (112).

“Narratives shape reality more than facts alone,” asserts Greene (54).

“We are all curators of our digital selves,” writes Chen (29).

“Context determines meaning in any form of communication,” reminds Foster (71).

“Understanding rhetoric begins with recognizing quoted voice,” emphasizes Ward (38).

In her analysis of digital behavior, Martinez explains:

The way users engage with content is no longer passive. Instead, every scroll, pause, and reaction forms part of a larger behavioral dataset that platforms use to refine engagement algorithms. This shift transforms users from audiences into data producers (156).

As Thompson outlines:

Traditional gatekeepers of information—editors, publishers, journalists—have been supplemented by influencers, bots, and recommendation engines. This decentralization challenges the very definition of authority in discourse (88).

Lee argues:

When individuals share content, they are not merely passing along information but aligning themselves with particular worldviews. Each repost functions as a symbolic gesture of affiliation within digital communities (103).

Davis notes:

The line between public and private expression has blurred. What was once personal reflection is now performative communication shaped by anticipated audience reactions (47).

Rivera states:

Emotional resonance often outweighs factual accuracy in viral传播. Stories that evoke strong feelings are more likely to be shared, regardless of verifiability (121).

Chen observes:

Users construct identities through selective self-disclosure. The curated feed becomes a narrative of idealized existence rather than authentic experience (63).

Foster elaborates:

Algorithmic curation creates echo chambers not through overt censorship but through subtle reinforcement of existing preferences. Over time, diversity of thought diminishes without explicit restriction (94).

In Frost’s words, “Two roads diverged in a yellow wood” (1).

“I, too, sing America,” declares Hughes (1).

“Do not go gentle into that good night,” urges Thomas (1).

“She walks in beauty, like the night,” writes Byron (1).

“Hope is the thing with feathers,” says Dickinson (1).

“I contain multitudes,” confesses Whitman (1).

“Water, water, everywhere,” laments Coleridge (1).

“Beauty is truth, truth beauty,” proclaims Keats (49).

“The fog comes on little cat feet,” observes Sandburg (1).

“God’s in his heaven—All’s right with the world!” exclaims Browning (1).

“I am silver and exact,” states Plath (1).

“I heard a fly buzz—when I died,” recalls Dickinson (1).

Wordsworth reflects on nature:

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils (1–4).

Pound calls for renewal:

The apparition of these faces in the crowd;
Petals on a wet, black bough (1–2).

Whitman celebrates self:

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you (1–3).

Bishop describes observation:

I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth (1–4).

Oliver contemplates wonder:

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting (1–3).

Heaney evokes memory:

My father worked with a horse-plough,
His shoulders globed like a full sail strung
Between the shafts and the furrow (1–3).

Hamlet muses, “To be, or not to be: that is the question” (3.1.56).

Lady Macbeth commands, “Unsex me here,” urging strength to commit regicide (1.5.40).

Othello cries, “O, I have lost a pearl,” expressing grief over Desdemona (5.2.156).

King Lear rages, “Blow, winds, and crack your cheeks!” in despair (3.2.1).

Viola pleads, “I am all the daughters of my father's house,” revealing identity (5.1.220).

Prospero declares, “I'll drown my book,” renouncing magic (5.1.56).

Rosalind teases, “Men have died from time to time, and worms have eaten them,” masking sorrow (4.1.108).

Mercutio curses, “A plague o' both your houses,” before dying (3.1.87).

Portia argues, “The quality of mercy is not strained,” appealing for compassion (4.1.179).

Jaques proclaims, “All the world’s a stage,” reflecting on life stages (2.7.139).

Beatrice jokes, “I wonder that you will still be talking, Signior Benedick,” mocking wit (4.1.280).

Antonio laments, “I am a sick man,” opening The Merchant of Venice (1.1.1).

“Social media algorithms prioritize engagement over accuracy” (“How Algorithms Work” par. 4).

Experts warn that “digital footprints are permanent and widely accessible” (Johnson, “Privacy in the Digital Age” par. 7).

“Users spend an average of 2.5 hours daily on social platforms” (Smith, “Digital Trends 2024” par. 2).

“Misinformation spreads six times faster than verified news” (Lee, “Viral Falsehoods” par. 1).

“Authenticity is the new currency of online influence” (Rivera, “Trust and Tech” par. 9).

“AI-generated content blurs the line between human and machine authorship” (Chen, “Future of Writing” par. 5).

“Online anonymity enables both free expression and harmful behavior” (Davis, “Digital Identity” par. 3).

“Visual content receives 94% more engagement than text-only posts” (Thompson, “Content Strategy” par. 6).

“Micro-influencers drive higher conversion rates than celebrities” (Patel, “Marketing Shifts” par. 8).

“Platform design shapes user psychology more than policy” (Foster, “Design Ethics” par. 11).

“Digital well-being starts with intentional usage” (Ward, “Mindful Tech” par. 5).

“Accessibility features improve inclusion but remain underutilized” (Kim, “Tech for All” par. 2).

Dr. Alan Reed stated in a personal interview, “Public trust in media has declined by nearly 40% since 2010” (Reed).

As journalist Maria Lopez explained, “Sources now demand anonymity more frequently due to fear of backlash” (Lopez).

Professor James Wu noted, “Students increasingly rely on video summaries rather than reading full texts” (Wu).

Designer Elena Torres shared, “Aesthetic simplicity drives user retention more than feature complexity” (Torres).

Activist Jamal Greene emphasized, “Hashtags can mobilize movements but rarely sustain them” (Greene).

Educator Lisa Park observed, “Digital distraction is the biggest barrier to deep learning” (Park).

Developer Rajiv Shah admitted, “We build for engagement, not necessarily for well-being” (Shah).

Author Naomi Chen reflected, “Autobiographical writing helps process trauma and reclaim voice” (Chen).

Scientist Tomás Ruiz explained, “Climate models now account for social behavior patterns” (Ruiz).

Artist Sofia Mendez said, “My work challenges the binary of real versus virtual identity” (Mendez).

Lawyer David Klein argued, “Current regulations fail to address algorithmic bias” (Klein).

Researcher Amina Yusuf noted, “Cross-cultural digital studies remain underfunded” (Yusuf).

Smith explains that digital communication has fundamentally altered how people interpret linguistic meaning (45).

Lee argues that language structures not only convey ideas but also shape cognitive frameworks (23).

Johnson suggests that social media gradually constructs identity through repeated self-presentation (78).

Patel emphasizes the need to critically assess the stories we encounter online (102).

Davis claims that digital literacy is now as crucial as traditional literacy skills (33).

Thompson observes that algorithms play a major role in shaping perceived truths (67).

Kim notes that truth becomes fragmented in environments dominated by viral content (89).

Rivera explains that each social media interaction signals ideological alignment (112).

Greene asserts that narratives hold greater power in shaping reality than isolated facts (54).

Chen writes that individuals actively curate their online personas (29).

Foster reminds us that context is essential for interpreting any message correctly (71).

Ward emphasizes that understanding rhetorical strategies begins with identifying quoted voices (38).

In *The Social Dilemma*, a tech insider warns, “If you’re not paying for the product, you are the product” (Orwell).

The narrator in *Bowling for Columbine* states, “Fear sells, and fear sells big” (Moore 34:12).

In *Her*, Theodore admits, “Sometimes I think I have felt everything I’m ever gonna feel” (Jonze 58:09).

As *Citizenfour* reveals, “People forget things if you keep moving fast enough” (Poitras 1:02:15).

In *Black Mirror: Nosedive*, Lacie pleads, “I just want to be liked!” (Brooker 37:21).

A character in *The Matrix* asks, “Have you ever had a dream you weren’t sure you’d wake up from?” (Wachowski 12:45).

In *Jaws*, Chief Brody mutters, “You’re gonna need a bigger boat” (Spielberg 1:15:30).

As *An Inconvenient Truth* shows, “The climate crisis is not political—it’s scientific” (Guggenheim 44:10).

In *Get Out*, Chris whispers, “No, no, no, no, no…” during the sunken place sequence (Peele 1:08:55).

In *Wall-E*, AUTO declares, “Directive A113 cannot be changed” (Stanton 1:22:10).

As *Won’t You Be My Neighbor?* captures, “Look for the helpers. You will always find people who are helping” (Rogers 28:17).

In *Ex Machina*, Nathan warns, “Real stupidity beats artificial intelligence every time” (Garland 1:10:05).

Smith argues that “the rise of digital communication [has] transformed how we interpret language” (45).

“Language is not just a tool... but a framework for thought,” according to Lee (23).

Johnson writes, “Social media reshapes identity [by encouraging constant self-performance]” (78).

Patel states, “We must question the narratives... that shape our beliefs” (102).

Davis claims, “Digital literacy [skills] are now as essential as reading” (33).

Thompson notes, “Algorithms influence... what we believe to be true” (67).

Kim observes, “Truth becomes fragmented... in the age of virality” (89).

Rivera explains, “Every like [is] a micro-endorsement of ideology” (112).

Greene asserts, “Narratives shape reality... more than isolated facts” (54).

Chen writes, “We are all curators [of our digital personas]” (29).

Foster reminds, “Context determines meaning... in communication” (71).

Ward emphasizes, “Understanding rhetoric begins with recognizing [quoted] voice” (38).